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Elizabeth Barrett Browning was born March 6, Her father was wealthy, the owner of sugar plantations and other businesses in Jamaica. Throughout most of her childhood and young adulthood, Elizabeth lived with her family—she was the oldest of twelve children—on a magnificent estate near Ledbury, Herefordshire, in the southwest central part of England. She craved knowledge, reading voraciously and, with her brothers, attending lessons with well-qualified tutors.

Before she was a teenager, Elizabeth was writing poetry. When she was a young teenager, she began to suffer intense headaches and spinal discomfort from a cause never really diagnosed.

She spent most of her time indoors, reading and writing. In the early s, her father suffered a financial setback, in part because of new laws ending slavery. The family retained enough means to settle in a fine home on Wimpole Street in London. Elizabeth continued to write, and the high quality of her poetry brought her critical recognition and some financial success. By the time she was in her late 30s, Elizabeth was among the best-known and most highly respected poets in the country.

Her work drew the attention of another poet, Robert Browning, who eventually wrangled an invitation to visit. In May of , they met and fell in love. Elizabeth began to write a series of sonnets, among the most famous in English literary history, celebrating her love for Robert.

To be together, they had to to elope. The couple moved to Florence, Italy, where they settled into the happy life of two writers who still had enough independent means to live well enough to have the freedom to devote themselves to their work. How much do you love me, a million bushels? Oh, a lot more than that, Oh, a lot more. And to-morrow maybe only half a bushel? To-morrow maybe not even a half a bushel.

And is this your heart arithmetic? This is the way the wind measures the weather. Carl Sandburg William Shakespeare My Love Sent Me a List O my Love sent me a lusty list, Did not compare me to a summer's day Wrote not the beauty of mine eyes But catalogued in a pretty detailed And comprehensive way the way s In which he was better than me.

About this poem: "No, really, a found poem; however, I also find, that if one reads thirty or so Shakespearean sonnets in a row out loud , something is bound to happen. Olena Kalytiak Davis Academy of American Poets Educator Newsletter. Teach This Poem. Follow Us. Find Poets. Poetry Near You. Jobs for Poets. Read Stanza. Privacy Policy. Press Center. First Book Award. In line five, she clearly tells the reader that, be it day or night, her love fills those quiet moments, those daily silences that occur between two people living together.

Her love is unconditional and therefore free; it is a force for good, consciously given because it feels like the right thing to do. She doesn't want any thanks for this freely given love; it is a humble kind of love, untainted by the ego. The sestet starts at line nine. The speaker now looks to the past and compares her new found passions with those of the old griefs.

Elizabeth Barrett Browning had plenty of negativity in her adult life—she was mostly ill and lived like a recluse, seeing only old family friends and family. Her father in particular oppressed her and wouldn't allow her to marry. There were no romantic relationships in her life by all accounts. She must have been driven to the point of willing herself dead. Little wonder that when Robert Browning came along she was given a new lease of life.

In contrast, her childhood had been a happy one, and it's this she refers to in the second half of line ten. A child's faith is pure and innocent and sees fresh opportunity in everything. Turning to religious feelings in line 11, the speaker refers to a lost love she once had for the saints—perhaps those of the christian church, of conventional religion.

Or could she be looking back at the saintly people in her life, those she held in great regard and loved? She suggests that this love has now returned and will be given to her husband. In fact so stirred up is she with these innermost feelings she goes on to say in line twelve, with just a dash to separate—this returned love is her very breath.

Not only that, but the good and the bad times she's had, is having, will have—this is what the love she has is like. It is all enveloping. And, in the final line, if God grants it, she'll carry on loving her husband even more after she dies. This Petrarchan sonnet has 14 lines, the first eight being the octet and the final six the sestet. At the end of the octet comes what is known as the turn, more or less a subtle change in the relationship between the two parts.

In this sonnet, the octet is basically a list set in the present that reflects a very deep love; the sestet looks back in time and then forward to a transcendent love, which helps put the whole work into perspective. The full rhymes bring closure and help bind the lines together. Marine Biology. Electrical Engineering.

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